Author: Grace (page 12 of 13)

Reclaiming My Flesh in An Absence of Sound

Humanity is defined by our ability to communicate, to speak. Our voices are the encapsulation of that paradoxical duality of physicality and insubstantiality that echoes through our lives: words can bridge the dichotomy between the tangible and the transient, the visceral and the ethereal, the enduring and the evanescent. The voice is essential to the human experience, and yet the accessibility of language is limited. It has been suggested that writing about gender is easier for people like me because we “know what it means” to be a woman—but how could I know what “being a woman” entails, when a vivid commercial culture of tabloids, magazines, and pornography, which turned the female body into the West’s most popular commodity, has only ever taught me what a woman is supposed to be? When the topic of gender is at hand, the sole advantage of being a woman is my ability write about my own subverted humanity.

For as long as I can remember, men have defined my femininity by the flesh that they desired, not the words they heard me speak. I knew I had become a woman when their eyes began to crawl across my adolescent body, when my organs became fit to bear their children, when evidence of a newfound usefulness left my fingertips dripping crimson. My voice was rendered inconsequential by the cultural fixation upon that which is physical, exploitable—after all, a woman’s body is commodified at the necessary expense of her voice.

“More guys would be into you if you aren’t so opinionated.”

“You’re not one of those crazy feminists, are you?”

“This is why people don’t like you: why can’t you just stop talking for once?”

These sentiments had followed me for as long as I could remember, expressed by my family, my friends, and myself. But in my freshman year of high school, as I began the painful transition from awkward child to young adult, they suddenly meant something more. A thriving social gossip sphere did little to help: every rumor you heard about me, I heard too. I was asked if I was a lesbian, if I even identified as a female: because what else could they see in me? What else could I be but what they had already made of me? How could a girl—no, a woman—dare to exist outside of the binary, predetermined boxes I was destined to curl up in? I overheard it all, watching as if from a distance until, unable to cope with the constant feeling of being completely unwanted, I yielded to the belief that my body was worth more than my beliefs, and accepted their words as punishment for having dared to speak out in the first place.

As I spoke less and less, self-hatred crept into the emptiness where my voice had been. Militant Feminist, Annoying Bitch—I became indifferent to the names I heard myself called. It did not matter that none of them were true: the words of others were defining me as I slowly learned to be silent. When apathy grew tiresome and I needed to feel again, I turned against my own flesh. I remember the blood as it dried beneath my fingernails, my mind incessantly demanding the impersonal, the unanswerable—what was wrong with me? Why was I not pretty? Would they like me if I were? I smeared makeup on my face every morning until I felt ready to step outside, and lived on coffee and cigarettes in order to shed that next ten pounds, as with each tedious fumbling in the back seat of a car and every bite of a razor against my hated skin, my silent pursuit of acceptance destroyed the person I had been.

A teacher once told me that tragedy is the collapsing of time, and I did not believe her until I had watched seventeen years of my life crumble inwards. But as I lost my voice I lost my humanity, and I knew that what she had told me was true. I learned the innate and strangely visceral terror of isolation, and I learned what it meant to seek acceptance, no matter the cost. I found myself shackled to circumstances I had simultaneously created and despised, until the loss of my voice simply became a single story repeated a thousand times: everywhere and all at once. I was called a militant feminist —and so maybe I became one. Perhaps the tragedy of the human condition is that we manifest ourselves.

Nevertheless, every action has its antithesis, and maybe a voice can be found once the body is reclaimed. So on an otherwise indistinguishable evening in the early summer, armed with a pair of kitchen scissors and a year’s worth of self-loathing to forget, I strode into my bathroom and severed, once and for all, whatever societally induced relationship might have existed between my appearance and my worth. I sought to find myself again in the tendrils of hair that spilled down into the sink, the cold metal that nicked at my scalp, and the sensation of running my fingers across the newly shorn right side of my head. I was finally laying a claim to the body I had spent my life resenting: it was the reclamation of my sanity, my vitality, and my right to speak.

In our culture every woman’s body is public property. Even if we are not bought and sold, we are regularly fetishized, and objectified. We are labeled slut or prude, social climber or bitch, and more importantly, we are taught not to speak out against it. It is not just an insult or an assumption: we live in a world where the words of others are more powerful than our own actions, and so they become, inevitably, a part of our identity. So go ahead, tell me that I am overreacting: but so long as my body is the property of whoever runs their hands across it, I am not equal, and I am not free. I am shackled to the shame of it, disgusted by my own indifference to the names that I am called.

This is a love song to the women who speak unapologetically, and a eulogy for the girl I used to be. For although she never knew what she was worth or what she would become, the absence of her voice still stitches through the fabric of my reality. This is a condemnation of the culture that nearly destroyed me, and perhaps more than anything, it is an apology to myself.

Because on that rainy night in April, when I found the pair of scissors in my kitchen drawer, I left behind me, in a damp bathroom sink, countless years of self-loathing, loss of identity, and having my gender stripped from me time and time again. And as I took back my body from the ruthless eyes and words of the people who did not want my voice to cause them inconvenience, who wanted me to be silent, I promised myself that maybe I would never be loved, but at least I would be heard.

I wonder if anyone is listening.

“Look at us both.”

muchbetter

#2 and colored pencils. february, 2014. 

The Woman

irene adler

#2 pencil. january, 2014. (unfinished). 

Doomsday

bad wolf

Charcoal, #2 pencil, and gold ink (not pictured). august, 2013. (unfinished).

The Nobility Of Man

A deafening silence surrounds me, echoing across the gritty air and settling in the dust that covers the ground. It spreads within me, or perhaps I am a part of it, for I do not feel anything at all. In the half-year that has passed since the ending first began, this town seems to have suffered at least a century of time’s slow decay. In front of me looms the skeletal frame of a formerly inhabited house, silhouetted against a sun-scorched sky. The garden is overgrown with weeds, spilling over the walls and crawling up the sides. The dark inside of what I once considered home is now open and vulnerable: ravaged by the vicious assault of time.

I remember my sister’s sightless eyes, her cold porcelain face, the dark rivulet of blood as it trickled from her mouth. She was the first to catch it, and the quickest to die. Before the unspeakable rape of civilization, my existence had been indistinguishable from that of countless other teenagers in my suburban life. Of course there was that one time, that one mistake…if you could call it that, I was hardly responsible—lace, flesh, a black cross behind dark tendrils of hair—not truly my fault—

When my eyes snap open, pulse elevated, fingers twitching from the intensity of the flashback, I notice the cold metal barrel of a gun pressed against the back of my head.

“One wrong move,” a voice growls in my ear. “That’s all it takes for you to die. Walk.”

I am forced through the front door, into the basement of my former home. Moonlight filters in dimly from the top of the staircase: I am aware of several pairs of eyes trained warily upon me.

“Where did you find him?”
“Is he contaminated?”
“Prolonged exposure….”

“Better make it quick, then,” the man holding the gun says.

Before I quite understand what is happening, I have been forced onto my knees. I open my mouth to speak, but the words catch in my throat. The blood is pounding in my ears—

“Don’t kill him.”

The voice that perforates the silence is as welcome as desert rain. Without thinking, I turn around. In the half-light allotted by the shadowed moon, I discern the dirt-streaked skin and tangled ebony hair of the first woman I have seen in over a year.

“He could be contaminated—“ the gunman begins.

“Don’t kill him,” she repeats. Turning to me, she asks, “Who are you?”

Her voice is calm, but insistent. I cannot find my voice.

“Contamination status?” she asks next.

“Nonexistent,” I manage. “I’m immune. I caught it, but… I don’t know how… look….”

I turn my palms upward, revealing the underside of my forearms: they are mottled with splotches from when I first contracted the disease. Without hesitating, she holds out her arm as well. It is ravaged by a cacophony of rancorous color identical to my own.

“We think the immunity might be more than a biological anomaly,” she says to me quietly, pulling down her sleeve as I stare.

“A husband and wife share it as well—it may be transmitted through bodily fluid.”
She stands back up, turns the full force of her gaze upon the man holding the gun against my head: the barrel drops, and relief washes over me. The girl turns quickly away, heading for the stairs. Before I can speak, she is gone.

***

I find her again that night, just outside of the garden, examining the ruined magnolias that used to grow here in abundance. They are torn and defiled now, but once they were white and beautiful. I echo the first words she had spoken to me.

“Who are you?”

She does not respond, or even look at me. I try again.

“And…thank you. For stopping them, I mean.”

Again, no response. She plucks a damaged white flower, turns it gently between her fingers. Just as I begin to turn away, I hear her say quietly— “Leda.”

She offers no surname, no elaboration. Just four simple letters in a voice like falling silver.

“It’s beautiful,” I say.

She smiles faintly. Starlight drips from the night sky, tangles in her hair.

“It’s Greek,” she replies.

I do not see Leda again for a fortnight. From the others in her small band of survivors, I learn that she has been scouting the area, searching for contaminated human inhabitance: but she returns grim and disillusioned. When I find her on the outskirts of the ruined town that night, and feel the first of the droplets of rain shower my skin, I almost smile. I cannot count the multitude of nights I have wandered through vast expanses of darkness, tethered to reality by the solace of a rainstorm. I sit down carefully beside her.

“Why are you searching for them?” I ask, as the first low roll of thunder breaks the stillness.

“The last wave of the disease wasn’t like the others,” she replies shortly. “They could still be human, somewhere beneath it all. And I do not fear them.”

A vivid flashback hits me. First I see humans driven mad with disease, sunken eye sockets, decaying flesh—then it is the faceless girl, the curve of her body, her unresisting form —

“What do you fear?” I ask before I can stop myself, desperately trying to keep the images at bay.

There is a long silence, permeated only by the high, wild singing of the windswept rain.

“I fear that in this fight for survival, we will become like animals: primitive and cruel.”

It is a moment before I can register her words. When I do, my eyes glance hesitantly down Leda’s body, taking in her slender frame. I try to envision her fighting the bloodthirsty creatures with nothing but the knife she wears at her hip. My heart is racing as I consider doing something daring, something utterly stupid. She turns to me.

“You have been out there too. What are you most afraid of?”

Instead of answering, I kiss her.

I not know what compels me to do it—only that I want to do it more than I have wanted anything in my entire life. At first she stiffens in surprise, but as our mouths meet I feel her hand slide up the back of my neck, her fingers running through my hair. In this moment of raw desire and insuppressible passion, she is the only thing that matters in the world.

For the briefest instant a bolt of lightening sunders the storm-darkened sky, casting a radiant light upon us—the only two lovers left on Earth, our bodies becoming one in the rain-washed night.

***

In the eighteen days of love-induced ecstasy that follow, my nights of solitude and days of aimless wandering are replaced by her lips, skin, and amber eyes. The night before I am planning to leave the ruined town, Leda and I lie beside one another, miles from whatever remains of my home and history, bathed in the light of the setting sun.

“What do you see?” I ask her.

“Unparalleled radiance,” she replies, smiling slightly. “The complexity of nature, blazing before our eyes. Even now, this world is beautiful.”

“We could see it all together,” I say. She turns to me, confused. “Come with me,” I whisper.

She looks at me, hesitates for a moment. A complicated range of emotions sweeps subtly across her face. Then she smiles. “Yes,” she says. “I’ll go. But I want you to tell me something.”

“Of course.”

“That night, in the rain, you asked me what I was most afraid of in the world.”

“So I did.”

“When I asked the same question, you never—well, you never really replied.”

She is staring out into the distance, her face bathed in blood-red light, and I want to tell her. I want her to understand this secret that I have never told anybody: I want her to know that the source of my nightmares began long before the source of hers. I find that I cannot stop myself. Without prelude, the words tumble from my mouth.

“It was maybe half a year before the disease spread. I was in my senior year of high school—back when there was still high school. I was at a house party. There was this… girl, and she was…”

The flashback hits abruptly. I can see her legs hanging loosely over the edges of the cushions, the black hem of her dress riding up her thighs. For the briefest instant, I am terrified that Leda somehow saw it as well.

“… Drunk,” I finally finish. “Very drunk. She had passed out on a couch in one of the guest rooms. I found her there.” “What did you do?”

“I had sex with her.”

Silence. When she finally speaks, I feel my fists clench. But her voice is soft. Gentle.

“Did you really?”

“Yes.”

“Did she want to?”

“No—I mean—I don’t know. I don’t remember.”

“Did you ever see her again?”

“No. Or if I did, I never recognized her. She isn’t a person to me,” I insist. “Not a name, not even a face. I don’t remember anything about her. I was too drunk.”

It is true that I cannot remember, even vaguely, a single feature of her face.

She looks directly at me: a long, searching stare. “Nothing?” she whispers. Her voice is hesitant and soft.

“Well, one thing. There is only one detail I was ever able to clearly recall—she had a tattoo. On her neck, just below her ear.”

“What did it look like?

For a moment, I think I detect a something strange in her voice. But it is gone in an instant—I am sure I imagined it.

“A cross of some sort—a small, black crucifix.”

There is a heavy pause.

“So, what are you afraid of?”

I force myself to meet the perforation of Leda’s amber gaze.

“I am afraid of ever having to look into her eyes.”

It is the most cathartic sensation, admitting the true source of my guilt. The relief, as it washes slowly over me, is so potent that I feel almost giddy. It is not until I lie back and shift my gaze to the sunset again that I notice the nature of the silence that surrounds us. I open my mouth—to speak, perhaps, though I have nothing in particular to say—

It is then that I feel the excruciating rush of cold steel splitting my skin.

***

Blood was running hot and wet down the edge of the blade when Leda wrenched the knife back out of her lover’s throat. She stood slowly, throwing the blade aside, and looked down at where his body lay in the crimson-soaked dirt. She ran bloody fingers through her dark hair. Her shoulders trembled violently as she began to speak.

“It was right, wasn’t it?” she demanded of the sky. “It was right, what I did.” Tears began trickling down her face when the charred twilight offered no response. Her voice faded to a whisper. “Please, tell me I wasn’t wrong.”

She glanced down at the body again. His lips were parted slightly, as though he had not even had time to register the pain as the blade tore his life out through his throat. His green eyes, sightless and glassy now, gleamed in the last ray of sunlight. Even in grisly death, he was beautiful to her.

“…the immunity might be more than just a biological anomaly…may be transmitted through bodily fluid….”

“The nobility of man” Leda said bitterly, “did not die with civilization. It died a long time ago.”

The tears were coming hard and fast now, as her eyes scanned the desecrated earth. For the first time in her life, she felt a kinship with it, a familiarity. As she turned to depart, the wind lifted her hair off of the back of her neck, exposing a marked patch of skin just below the ear.

The small black crucifix glinted in the fading light.

Ten.

tennant

charcoal and #2 pencil. may, 2013. (unfinished).

Confessions Of An Ugly Girl

It took a while for me to build up the courage to write something this personal, and I hope people do not perceive it exclusively as a “rant post,” but it seems like every day I realize more and more how deeply insecure everybody is in high school. Maybe I cannot fix such a deep-rooted issue on my own, but I certainly can rage against it. And I think I just did.

“What you feel is what you are, and what you are is beautiful.”

– The Goo Goo Dolls

“You know, I bet you could get a lot more guys if you let the rest of your hair grow out,” someone told me once.

The statement was meant to be a casual observation, nothing more. In fact, it really did not bother me at the time. I know not everyone is crazy with what I did to my hair last year—namely, take my older brother’s razor in the bathroom one night, and shave half of my head almost to the scalp. I am okay with that. What my friend did not understand, though, is that I shaved my hair my year last year in order to make a statement that I feel people should be encouraged to make far more often. I shaved my hair to show the world that I am an individual, that I am confident in who I am, and above all else, that I refuse to conform to any social ‘standard’ of beauty.

We live in a culture nowadays where self-loathing is rampant and often even expected in women. Almost every girl I know spends at least an hour on her makeup and hair before leaving her dorm or her house. And it really isn’t surprising. They are terrified of being disregarded or ignored, and so they allow themselves to be sexualized, objectified, and ultimately used. Our insecurities have a tendency to consume us. I am no exception to this.

We all seem to have forgotten that beauty is a mutable and ultimately irrelevant concept. I look around Commons every single day and see so many people whose beauty goes entirely unrecognized. It might sound cliché, but it is completely and indisputably true. Because beauty is not confined to a certain body type, hairstyle, or face—beauty can be found in passion, individuality, exuberance, and love. It is imperative that we recognize this.

My second year of high school, attending academy that is competitive in more ways than one, has taken an enormous toll upon my already fragile self-image. I wake up every morning, and try not to see myself in the mirror. I smear makeup on my face until I feel ready to step outside. I pick myself apart—the size and shape of my nose, the color of my eyes, the proportions of my mouth, the imperfections of my body, and of course, the scars on my skin from these past four years of dermatillomania. And every time I watch someone disregard me for one of my prettier friends, or when I learn that someone has assumed that I am a lesbian due to my appearance or opinions, it is like nails against the blackboard of my mind.

I hate this society, but more than anything else I hate what it has done to me. I hate that I never feel good about myself anymore. I hate how many times I instinctively check the mirror before leaving for school in the morning. I will never be beautiful in the way that they all expect me to be. I never have been capable of it, and I am tired of pretending that I am.

I want to make it clear, though, that I do not want anybody’s sympathy. That is not what this is about. So if you do not think I am pretty, do not tell me that I am. If you do not find me attractive, do not enter a relationship with me. And if my appearance is more important to you than my passion or my interest or my individuality—in that case do not even condescend to speak to me. I am not writing this for any of you. I am writing this to remind the world that if I am able to love myself despite the opinions of others, then I am above all of this.

We see this world in terms of pretty and ugly. Instead of seeing the beauty in everyone, we constricted our standards—made them rigid and exclusive and fitted to one small group of people. We could have found passion and gratification, but chose to create devastating stereotypes and unbreakable stigmas instead. And in doing so, we have handicapped our own ability to love.

I am tired of putting on a face and praying that others accept it. I am tired of hoping to be viewed as a sexual object rather than the complex, flawed, and ultimately beautiful person that I am.

I did not title this post “Confessions Of An Ugly Girl” because I hate the way that I look. I titled this post “Confessions Of An Ugly Girl” because I am tired as being perceived as one. A lack of status, looks, and conformity has resulted in my failure to meet the certain social standards that should never have existed in the first place. My inability and refusal to satisfy these ideals will always make me ugly in the eyes of society. I think that unfair stigmas and preconceived notions have created an image of me that does not line up at all with who I truly am. I think that image has been projected to the world, and I hate the world for that.

Maybe nothing will ever change—especially not where I am from. But if we all truly hate the stigmatized, sexualized, and judgmental culture in which live, it is time for us to consider who created it.

I am so much more than a face caked in makeup or a body that is never quite thin enough. I am so much more than my imperfections and my insecurities. I am passionate and I am individual and I am infinitely flawed—but above all else, I love fiercely, and I see no reason to hide that.

So here are the confessions of a self-proclaimed “ugly girl.” And no matter how beautiful you actually are, I’m willing to bet quite a few of you read this and understood. It is exceptionally lonely, frustrating, and at times, exorbitantly painful for me to accept the way that I am, and to love myself despite whatever the social perception of me may be. But I will continue to do so anyways, because with nothing more than judgment and gossip we created these standards—and through tolerance, acceptance, and a newfound understanding of the true nature of beauty, we can break them too.

Musings In The City Of Lights

The top of the bridge has always been my favorite place in the world. You might not realize it at first, but it is eternally, unspeakably beautiful.  I can be alone there, when the night is vast and infinite and the concrete is solid beneath my feet. I can sit in silence, half hidden by shadows, my forehead pressed against the cold metal railings as they shine against the moon. Twenty feet below me seems a world away as I gaze down at the lights of speeding cars. It is dazzling, enigmatic, and inexplicable. Lifetimes seem to pass before me in the blink of an eye, as headlights burn like comets’ tails and the world rushes on beneath me.

It is different underneath the bridge, though. Filthy, dank, and shadowed—the moon hardly shines where the earth is so close. Charlie loves it here, but I do not understand why. I cannot love where the brilliant lights are gone: where all of the pain and discontent of the world screams at me from graffiti-stained walls. I hate it down here, where anger is so present. But perhaps it is fitting. After all, I did not come to see the beauty of the passing world. I did not come to find solitude or peace. I came because I am afraid tonight.

I sit alone for what seems like hours. Suddenly, I see her coming towards me in the in the night. She walks in total silence, her ever movement graceful and discreet.  I have never truly understood what Charlie saw in shadows. Perhaps she is at home looking up at the faded sky, but I know that I never could be. I will never belong to this place of small dreams and broken homes and limited ambition. I am at home twenty feet above this spot, looking down upon the world. There seems to be no place for me on the Earth.

The glaring lights from passing cars briefly illuminate her face, and in that instant she turns toward me.

“Hey Leah,” she whispers, smiling slightly. “I thought I’d find you here.”

To anyone else, she would appear a ragged seventeen-year-old, strangely lovely with her wide green eyes gleaming in the darkness. But as she comes closer I can just make out the light dusting of freckles, the dirt-streaked skin, and the chestnut hair hanging past her shoulders in lank, unkempt strands. In the half-light allotted by a shadowed moon she is dangerous and engaging: an embodiment of unkempt, feral beauty. A moment passes before I find my voice.

“I thought you were with him tonight.”

“I was.”

She kisses me before I can speak; sweetness mingled with cigarette smoke. Her fingers intertwine in my hair. That fierce, inexplicable joy ignites inside of me: that hunger that awakens only for her. I never want her mouth to leave mine, and yet suddenly, I break away. Charlie frowns as she steps back, her intense green eyes studying me carefully. One hand grips the neck of a whiskey bottle: a cigarette is tucked behind her ear. I want to say something, but I cannot seem to find the words.

“What is it?” she asks me softly.

When I do not reply, she leans in to kiss me again, and the bottle slips from between her fingers and shatters against the asphalt. The sound splits the silence, causing us both to flinch.

“Damn it, Charlie.” I say, breaking my silence at last as step gingerly away. My bare, dirty feet edge across the rain-washed pavement, trying to avoid the broken glass. She grins at me, that strange half smile dancing across her face as she kneels down amidst the fragments of the bottle. She picks up a shard and tosses it to me. I catch it instinctively, turning it over in my palm. It is small and jagged, and the edges are viciously sharp.

“I’d rather be with you anyways,” she tells me almost playfully. “You kiss better.”

“What are you doing, then?” the question is torn from me before I can stop myself. I know that no answer she gives can console me.

She offers no response, however, except to kiss me again. I cannot bring myself to pull away this time. She is beautiful, intoxicating, and dangerous, and I love her more deeply than she will ever know. I want to stay here with her, underneath the bridge, for the rest of eternity. But as one of my hands moves to the back of her neck, the other clenches around the fragment of glass. I feel its bite against my skin, and in that instance of pain, I find a moment of clarity. I finally realized what she had known all along.

I break away from her again. I allow my eyes to meet hers, and I know that she can see the pain and recognition within them. Now we both know the truth. The beautiful girl standing before me was never mine to keep. She would never belong to me, would never sacrifice the life she led by day to wander the night with me. I do not need to speak a word, because in my eyes Charlie has understood everything. And so the girl I love turns and walks away from me, head held high, without a backwards glance. She makes her way down the dark street, disappearing again into the shadows.

When she is gone, I finally relax my fist. The glass shard drops to the pavement again, and I feel blood running down my hands. I am alone again in the darkness, and for the briefest of instances, unspeakable rage consumes me. I slam my palm hard against the wall, leaving an image of agony and love in the imprint of my hand. It gleams slick and red upon the rough grey stone. I almost smile. Now my own pain screams at me from the walls under the bridge, which I have branded with my own, personal form of graffiti. I wonder if anyone will ever find it here. I wonder if anyone will ever know what it means.

A silver moon is just emerging from behind the clouds as I make the climb to the top of my bridge, where the silence calls to me. I do not why I am out so late tonight; do not know when I chose to live among the angry, the restless, and the utterly forsaken. I think of Charlie who, like myself, has been cast aside by society. I turned away from what this town never offered us, and chose instead to wander the night. She lingered in her ever-present reality of small towns and broken dreams. It is hard to say who has made the right choice. I think of my home, of my bedroom, where traces can be found of the life I live by day. There is a pile of textbooks. There is an old guitar. There is a razor on the nightstand beside my bed, where it has remained since the last time Charlie stayed the night.

I cannot deal with the pain of it any longer. I press my forehead against the cold metal and stare down at the road so far beneath me. The blazing lights of cars consume me in their brilliance, and elevate me far above the streetlights and desolation of my town. Suddenly, the pain of my life seems behind me. In my mind, I am not in a small town anymore. Instead, I am in a city. I am a thousand miles away, in a place of possibility and life, where passion is accessible, where life holds some higher promise, and where vitality can be drawn from somewhere other than the shadowed viridian eyes of a girl whose love was never mine to keep. These lights are my salvation, and strengthen my resolve. I will not play this game any longer. I will escape in whatever way I can.

I light a cigarette and stare out into the darkness: knowing full well what I have to do tonight, and wondering who will find me in the morning.

As the eternity of darkness overwhelms me, I swear I can see her shadow against the moon. But as my eyes widen, drawn to cold ethereality of the scene, she is gone again, and I realize that I am alone in this vast expanse of night. There is no love, no passion, and no beautiful green-eyed girl. There are only the cars below me, and the moonlit sky above. All illusions have shattered and all desire has ceased, as the beauty and agony of the world surrounds me. For a moment, I almost smile, and at long last I am overcome by the inevitability of my destiny, the reality of my nightmares, and the musings I contemplate in my city of lights.

musings in the city of lights

Drunk with a cigarette,
Smoking alone
While she’s off with him
As if I hadn’t known.
Four hours north
Feels like lifetimes away
Fuck it, one more drink
A lover’s cliché.
This time I’ll go bold
Won’t cop out with mint
It may kill me faster
No rose colored tint.
I’ll live just like smoke
That’s not asking for much
A vital illusion
That’s empty to touch.
I’ll keep myself empty
And light in the head
Every calorie skipped
Is one closer to dead.

Honoring Newtown: The Truth That No One Wants To Hear

“And it’s true we are immune / When fact is fiction and TV reality,
And today the millions cry / We eat and drink, while tomorrow they die.”

Before I really get into the issue at hand, let me make it clear where I stand on gun control. Although I am usually pretty far to the left on social issues, I tend to lean towards the center on gun policy. Some people believe that every citizen should retain the right to own a weapon with which to defend his or her home and family. I am willing to hear that argument out.

However, Connecticut’s Chief Medical Examiner Wayne Carver reported that all 20 children succumbed to multiple gunshot wounds from the “long rifle,” which was a Bushmaster .223 M4 carbine rifle. Although reports still vary as to whether or not the shooter legally acquired this particular gun, the weapon in question is legal to own in the United States. To me, this is mind-blowing. There is no feasible reason why any person outside of the armed forces would need to a gun so powerful. This weapon was made with the express intent of slaughtering as many human beings as possible in the shortest space of time. This is a not a defense weapon. This is a killing machine.

It is an embarrassment to our country—where in the past year alone, we suffered 10,728 handgun related deaths in contrast to Canada’s 52—that it required the brutal murder of 27 innocent souls before we even began to consider having this discussion. When our second amendment was written, it was written with muskets in mind. Our founding fathers never considered that the human race would create machines that could kill others with such efficiency. When children are dying, it is time for something to change.

As a friend of mine said before, we cannot legislate away insanity. We cannot administer a blanket ban on all guns and expect that to be the answer. I do not think we should take a measure this extreme, as I believe it would be both largely ineffective and detrimental to our civil rights. But people need to talk. Clear boundaries must be set to ensure the safety of our people. Following this tragedy, there hasto be some sort of rational discussion in Washington regarding this kind of issue, as well as another important point: mental health care.

The funding and beneficiary requirements of mental health care are subject to the whims of governments, and people often do not know when they are entitled to mental health care services. I know from personal experience that finding any kind of therapy, never mind the level required caring for someone as sick as the Newtown elementary school shooter, is extremely difficult. It requires money, research, and exorbitant amounts of time. According to the National Survey on Drug Use and Health, a mere 7.1 percent of all American adults receive mental health services, and most of these Americans’ care is covered by private insurance. Children, poorer, and more elderly Americans are covered through public insurance programs such as Medicare and Medicaid, and an additional ten percent are uninsured. And even with health care insurances, out-of-pocket costs for both inpatient and outpatient mental health services remain staggeringly high. The National Alliance on Mental Illness reports that Connecticut’s public mental health system currently provides coverage for less than one in five Connecticut residents with a serious mental health problem. The other four may not be able to afford to pay for those services on their own, particularly since mental health issues tend to disproportionately affect poor people.

On the other hand, a typical handgun can be purchased for anywhere between $250 and $500. The semi-automatic rifle in question costs between $700 and $2000. And contrary to gun lobby hysteria regarding President Obama, gun ownership has actually been rising over the past four years, as has the use of guns in violent crimes. And the Bushmaster .223 M4 carbine rifle in particular—the weapon that gunned down 26 innocent souls in an elementary school yesterday—is available all over the Internet. My eighteen-year-old brother could buy one tomorrow.

Does anyone else see a problem here? Because I truly believe that there is something fundamentally wrong with a country where instead of offering easy access to mental health care, we offer easy access to guns.

And now I want to make my final point: the necessity of politicizing human tragedy.

The first prediction Dudley Brown of the Denver group Rocky Mountain Gun Owners made upon hearing of this tragedy was,  “They’re going to use the bodies of dead children to push their agenda.”

I initially could not believe my eyes upon reading Dudley Browns words: I consider them a disgusting and twisted take on what gun control advocates are actually trying to do right now.

By blatantly attempting to shame us into silence, Mr. Brown reveals a tactic that has been prevalent in the Right for several years now. On an interesting Daily Show expose around a week ago, political commentator and Comedy Central satirist Jon Stewart presented his audience and at-home viewers with a lengthy montage of Fox News video clips, where guests and anchors expressed all of the reasons why, when discussing gun control, the timing is always inappropriate. Mr. Stewart voiced his concern that if the Right continued to tell their viewers over and over that “Now is not the time,” we would face another tragedy before gun policy discussions had even been brought to the table. One week and 27 dead later, we can all conclude that Stewart was correct.

Although the scope and magnitude of this tragedy should never be undermined, that does not change the fact that now is the time to speak. Otherwise it will first be too early to talk politics, and then too late. In a country where our media thrives on emotion, the timing will never seem right: this makes it simple to just keep pushing the political aspects of this issue further and further into the background, which is exactly what gun associations want us to do. Even now, in the wake of such horror, it is too easy for my generation to log onto their Twitters, type 140 sad characters or #PrayForNewton, and consider their work to be done.

It is the holiday season. Who wants to talk about gun control? Why not leave the “heavy stuff” to the politicians, while we catch up on reality TV and gossip? This is why it really drives me insane is when people like Brown try to imply that by politicizing this issue, we are somehow disrespecting the deceased and their families. This is the sort of backwards thinking that entirely undermines progression, and makes it laughably easy for associations like Rocky Mountain Gun Owners and the NRA to bully others into staying silent on these issues. And in our silence, they have won.

So if you are somebody who believes that by turning this tragedy into a political point, I am the one dishonoring the dead, I say to you this:

The people pushing for gun control today, in the wake of such tragedy, have not let anybody down.

You let these families down, as you looked on through years of school shootings and movie theatre massacres. You, as voters and as the American people, chose to turn a blind eye to these tragedies—you mourned them for a day, or maybe a week, but then you carried on. The mainstream news outlets turned their focus away from these tragedies, and subsequently, so did you.

I am not dishonoring the dead by politicizing this issue. You have already dishonored them by not ensuring them safety in their schools, by not offering adequate mental health care to them or their families, and now, by indirectly administering Adam Lanza the assault rifle and other weapons, with which he took 27 lives, ended 27 futures, and killed 27 dreams.

Flotsam

An old piece, from the beginning of eighth grade. Not quite sure why I wrote this (or why I am posting it).

I awoke, cold and alone; surrounded by empty sea.

A thousand fragments;

Of that which had once been proud,

And beautiful, and whole,

Lie scattered across the grey waters.

And still I am alone.

The gulls wail;

Slicing through a steely sky.

The cold ocean churns;

Biting at my raw skin like fire.

And still I am alone.

Waves break against a distant shore,

Rain falls softly upon my face.

The far-off call of an albatross

Echoes in the silence.

And still I am alone.

Night falls

A dark, silent shadow.

The moon glows;

Silver light dancing upon the water.

And still I am alone.

The gulls scream,

The sun burns,

The stars wheel overhead.

Adrift I remain.

The tides change, the rain falls,

Days soar by, as intangible as memories.

Alone I remain.

Numb and cold;

I am restless, wandering

Within the prison and salvation of my mind.

Melancholy and subdued;

I am helpless, hopeless, floating,

Lost to the pull of the sea.

And still, I am alone.

« Older posts Newer posts »

© 2024 Forms of Boredom Advertised as Poetry

Theme by Anders NorenUp ↑